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cambridge heretics.md

@@ -1,62 +1,64 @@
-- #pull [[heretics society]]
+- a [[society]].
-- [[g. k. ogden]]
+	- #pull [[heretics society]]
-- Jane Harrison, ‘Heresy and Humanity’ (1909)
+		- [[g. k. ogden]]
-    John McTaggart, ‘Dare to be wise’ (1909)
+		- #go https://heritage.humanists.uk/the-cambridge-heretics/
-    Noel Burgess Michell, ‘The Secular Education Movement’ (1910)
+			- "Jane Harrison, ‘Heresy and Humanity’ (1909)
-    Edward Clodd, ‘Obscurantism in Modern Science’ (1911)
+			    John McTaggart, ‘Dare to be wise’ (1909)
-    A.L. Bacharach, ‘Thomas Hardy, the Poet of Heresy’ (1911)
+			    Noel Burgess Michell, ‘The Secular Education Movement’ (1910)
-    Bertrand Russell, ‘Religion and Science’ (1911)
+			    Edward Clodd, ‘Obscurantism in Modern Science’ (1911)
-    George Bernard Shaw, ‘The Religion of the Future’ (1911)
+			    A.L. Bacharach, ‘Thomas Hardy, the Poet of Heresy’ (1911)
-    F.M. Cornford, ‘Religion and the University’ (1911)
+			    Bertrand Russell, ‘Religion and Science’ (1911)
-    Joseph McCabe, ‘Materialism’ (1912)
+			    George Bernard Shaw, ‘The Religion of the Future’ (1911)
-    Prof. Patrick Geddes, ‘Mythology and Life—an Interpretation of Olympus as Rediscoverable’ (1912)
+			    F.M. Cornford, ‘Religion and the University’ (1911)
-    Harold Munro, ‘Contemporary English Poetry’ (1912)
+			    Joseph McCabe, ‘Materialism’ (1912)
-    Jane Harrison, ‘Unanimism: A Study of Conversion and Some Contemporary French Poets’ (1912)
+			    Prof. Patrick Geddes, ‘Mythology and Life—an Interpretation of Olympus as Rediscoverable’ (1912)
-    Rupert Brooke, ‘The Drama: Present and Future’ (1913)
+			    Harold Munro, ‘Contemporary English Poetry’ (1912)
-    Georg Brandes, ‘Nietzsche’ (1913)
+			    Jane Harrison, ‘Unanimism: A Study of Conversion and Some Contemporary French Poets’ (1912)
-    Goldsworthy Lowes Dickinson, ‘The Religion of Time and the Religion Of Eternity’ (1914)
+			    Rupert Brooke, ‘The Drama: Present and Future’ (1913)
-    G. E. Moore, ‘The Philosophy of Commonsense’ (1914)
+			    Georg Brandes, ‘Nietzsche’ (1913)
-    Cicely Hamilton, ‘The Conventions of the Theatre’ (1914)
+			    Goldsworthy Lowes Dickinson, ‘The Religion of Time and the Religion Of Eternity’ (1914)
-    Filippo Tommaso Marinetti, ‘Futurism’ (1914)
+			    G. E. Moore, ‘The Philosophy of Commonsense’ (1914)
-    Gilbert Murray, ‘The Conception of Another World’ (1914)
+			    Cicely Hamilton, ‘The Conventions of the Theatre’ (1914)
-    George Santayana, ‘An Interpretation of Transcendentalism’ (1914)
+			    Filippo Tommaso Marinetti, ‘Futurism’ (1914)
-    Constance Stoney, ‘Early Double Monasteries’ (1914)
+			    Gilbert Murray, ‘The Conception of Another World’ (1914)
-    Harold Monro, ‘The God-Myth in Modern Poetry’ (1915)
+			    George Santayana, ‘An Interpretation of Transcendentalism’ (1914)
-    Cecil Delisle Burns, ‘The Debt of Modern Philosophy to Literature’ (1915)
+			    Constance Stoney, ‘Early Double Monasteries’ (1914)
-    Shinji Ishii, ‘Freedom of Thought in Japan’ (1915)
+			    Harold Monro, ‘The God-Myth in Modern Poetry’ (1915)
-    Vernon Lee, ‘War, Group-Emotion and Art’ (1915)
+			    Cecil Delisle Burns, ‘The Debt of Modern Philosophy to Literature’ (1915)
-    Eileen Power, ‘Cult of the Virgin in the Middle Ages’ (1915)
+			    Shinji Ishii, ‘Freedom of Thought in Japan’ (1915)
-    Hypatia Bradlaugh Bonner, ‘Belief, Make-belief, and Unbelief ‘ (1916)
+			    Vernon Lee, ‘War, Group-Emotion and Art’ (1915)
-    Dora Black (later Russell), ‘Some Conceptions of Comedy’ (1916)
+			    Eileen Power, ‘Cult of the Virgin in the Middle Ages’ (1915)
-    Professor W. Bateson, ‘Evolutionary Theory and Modern Doubts’ (1916)
+			    Hypatia Bradlaugh Bonner, ‘Belief, Make-belief, and Unbelief ‘ (1916)
-    Rebecca West, ‘Emotion and Education’ (1917)
+			    Dora Black (later Russell), ‘Some Conceptions of Comedy’ (1916)
-    Adrian Stephen, ‘In Defence of Understanding’ (1917)
+			    Professor W. Bateson, ‘Evolutionary Theory and Modern Doubts’ (1916)
-    L. Susan Stebbing, ‘The Utility of Metaphysics’ (1917)
+			    Rebecca West, ‘Emotion and Education’ (1917)
-    D. Wrinch, ‘The Inter-Relation of Science and Philosophy’ (1918)
+			    Adrian Stephen, ‘In Defence of Understanding’ (1917)
-    D. W. Black, ‘The Abbé Pluche and other Christian Apologists’ (1918)
+			    L. Susan Stebbing, ‘The Utility of Metaphysics’ (1917)
-    George Santayana, ‘Philosophic Opinion in America’ (1918)
+			    D. Wrinch, ‘The Inter-Relation of Science and Philosophy’ (1918)
-    Graham Wallas, ‘Rational Purpose’ (1918)
+			    D. W. Black, ‘The Abbé Pluche and other Christian Apologists’ (1918)
-    E. B. C. Jones, ‘Walter de la Mare’ (1918)
+			    George Santayana, ‘Philosophic Opinion in America’ (1918)
-    Dora Black (later Russell), ‘How to be Happy—Some 18th Century Recipes’ (1918)
+			    Graham Wallas, ‘Rational Purpose’ (1918)
-    Miss Strachey, ‘The Case against Modern Poetry’ (1919)
+			    E. B. C. Jones, ‘Walter de la Mare’ (1918)
-    E. B. C. Jones, ‘The Art of Walter de la Mare’ (1920)
+			    Dora Black (later Russell), ‘How to be Happy—Some 18th Century Recipes’ (1918)
-    Eileen Power, ‘The Nun in Literature’ (1920)
+			    Miss Strachey, ‘The Case against Modern Poetry’ (1919)
-    I. A. Richards and C. K. Ogden, ‘The New Symbolist Movement’ (1920)
+			    E. B. C. Jones, ‘The Art of Walter de la Mare’ (1920)
-    Eileen Power, ‘A plea for the Middle Ages’ (1920)
+			    Eileen Power, ‘The Nun in Literature’ (1920)
-    Lytton Strachey, ‘Art and Indecency’ (1920)
+			    I. A. Richards and C. K. Ogden, ‘The New Symbolist Movement’ (1920)
-    Harold Monro, ‘Can any Religion meet the Conditions of Modern European Civilization?’ (1921)
+			    Eileen Power, ‘A plea for the Middle Ages’ (1920)
-    Dr. Marriette Soman, ‘Modern French Literature’ (1921)
+			    Lytton Strachey, ‘Art and Indecency’ (1920)
-    Edith Sitwell, ‘Modern Criticism’ (1921)
+			    Harold Monro, ‘Can any Religion meet the Conditions of Modern European Civilization?’ (1921)
-    Clive Bell, ‘Jazz Art’ (1921)
+			    Dr. Marriette Soman, ‘Modern French Literature’ (1921)
-    B. K. (Kingsley) Martin, ‘The Psychology of the Press’ (1922)
+			    Edith Sitwell, ‘Modern Criticism’ (1921)
-    Lancelot Law Whyte, ‘Adventures of Atoms’ (1922)
+			    Clive Bell, ‘Jazz Art’ (1921)
-    Bertrand Russell, ‘Traditional Religion’; and Dora Russell, ‘The Industrial Creed’ (1922)
+			    B. K. (Kingsley) Martin, ‘The Psychology of the Press’ (1922)
-    Max Newman, ‘Can Physics be saved from the Mathematicians?’ (1922)
+			    Lancelot Law Whyte, ‘Adventures of Atoms’ (1922)
-    J. B. S. Haldane, ‘Daedalus’ (1923)
+			    Bertrand Russell, ‘Traditional Religion’; and Dora Russell, ‘The Industrial Creed’ (1922)
-    Walter de la Mare, ‘Islands and Robinson Crusoe’ (1923)
+			    Max Newman, ‘Can Physics be saved from the Mathematicians?’ (1922)
-    Roger Fry, ‘Composition’ (1923)
+			    J. B. S. Haldane, ‘Daedalus’ (1923)
-    Virginia Woolf, ‘Character in Fiction’ (1924)
+			    Walter de la Mare, ‘Islands and Robinson Crusoe’ (1923)
-    Leonard Woolf, ‘Hunting the Highbrow’ (1926)
+			    Roger Fry, ‘Composition’ (1923)
-    Ludwig Wittgenstein, ‘Ethics’ (1929)
+			    Virginia Woolf, ‘Character in Fiction’ (1924)
-    Adrian Stephen, ‘A Description of Freudian Analysis’ (1930)
+			    Leonard Woolf, ‘Hunting the Highbrow’ (1926)
-    Prince Mirsky, ‘Dialectical Materialism’ (1931)
+			    Ludwig Wittgenstein, ‘Ethics’ (1929)
+			    Adrian Stephen, ‘A Description of Freudian Analysis’ (1930)
+			    Prince Mirsky, ‘Dialectical Materialism’ (1931)"